Friday, 1 April 2011
Currently
Tuesday, 29 March 2011
Products completed
Final magazine cover
Results from magazine audience research
- DO YOU THINK THE COLOURS ON THE COVER COMPLEMENT EACH OTHER?
Everybody answered yes, so we are pleased with the colours
- DO YOU THINK THE COLOURS USED ARE QUITE EERIE?
Everybody answered yes again, so we are again happy with the colour choice
- DO YOU THINK THE COVER PHOTO IS RELEVANT TO A HORROR FILM?
- DO YOU THINK THE COVER IS TOO CLUTTERED?
Again, only one person answered yes, so we feel that the cover cannot be too cluttered and we will therefore keep this the same
- DO YOU THINK THE SELLING LINE NEEDS MORE INFORMATION TO ADVERTISE THE FILM?
- Whilst two people do think that the selling line needs more information, we feel that if we were to add any more text the cover will be too cluttered. Therefore, we will keep the selling line as it is
- DO YOU FEEL THE ADVERTISEMENT ELEMENTS ON THE COVER ARE ESSIENTIAL?
Everybody answered yes, so no change is needed
- DO YOU FEEL OUR MAGAZINE HAS ENOUGH INFORMATION?
Everyone answered yes, so no change is needed
- LOOKING AT THIS MAGAZINE, DOES THE COVER FEATURE MAKE YOU WANT TO WATCH THE FILM?
Everyone answered yes, so no change is needed
Monday, 28 March 2011
Wednesday, 23 March 2011
First magazine cover draft
Tuesday, 22 March 2011
Thursday, 17 March 2011
Now...
Taken from our audience research...
Results from audience research
The results of our audience research are as follows:
Question 1: AFTER WATCHING THIS TEASER TRAILER, WHAT GENRE DO YOU THINK THIS FILM IS?
Question 2: WHAT DO YOU THINK THIS FILM'S ABOUT?
The answers were all similar, but were of follows:
'Ouija boards...curses'
'Curses'
'Ouija boards'
'Forces attacking'
'Ouija boards'
'I don't know'
'Ghosts'
Question 3: WHAT WORD BEST DESCRIBES THIS TRAILER?
We gave a list of options that include: recluse, murder, horror, paranormal, kidnap... and paranormal was the main option from the sample
Question 4: DO YOU THINK THE TITLE CARDS WE HAVE FEATURED ARE USEFUL INFORMATION-WISE?
All of our sample said 'Yes'
Question 5: DO YOU THINK THERE IS ENOUGH DIALOGUE IN THE TRAILER? WOULD MORE BE BENEFICIAL?
All of our sample said that there was 'enough dialogue in the trailer'
Question 6: HOW MUCH OUT OF TEN WOULD YOU RATE THE SOUNDTRACK?
Question 7: DO YOU THINK THE PACE OF SHOTS ARE RELEVANT IN TIME TO THE MUSIC?
All our participants answered 'Yes'
Question 8: DO YOU THINK THE USE OF COLOUR AND THE CONTRAST LIGHTING IS RELEVANT IN THE TRAILER?
All said 'Yes'
Question 9: DO YOU THINK THE TITLE OF THE FILM -'OUIJA' - BEING REVEALED AT THE END OF THE TRAILER BUILDS TENSION?
All participants answered 'Yes'
Question 10: WOULD YOU CONSIDER WATCHING THIS FILM? WHY?
Answers for 'Why' in the 'Yes' column included:
'I want to watch it to find out more', 'looks scary', 'looks interesting', 'catches the audience's attention', 'I like horror film'
For 'No', the individual answered 'I don't like horror films'.
Wednesday, 16 March 2011
Wednesday, 9 March 2011
Update from Tuesday 8th March
Friday, 4 March 2011
Update for our production work
On top of this, we are currently researching 'bang' sounds from the freesound website. Although we already have a sound, it is not loud or extreme enough to alert the viewer. (even after turning this sound up to its maximum 200%). Therefore, we will continue to aim to find an ideal sound for this.
After this, we will hopefully paste our AS piece's production logo; 'Magnified Productions' into our trailer. This is on another Mac, but we should be able to do this. (Or we could replicate it as we already have the image saved) We have already included this logo in the bottom right hand corner of our poster, so it would make sense to include this. Here is the logo:
From this, we hope our trailer will be complete. We will allow our teacher to watch and analyse this, in case it is not accurate enough. When we have done this, we will conduct audience research by allowing people of our demographics to view our trailer - hopefully on video - whilst asking them questions based upon their perspective of watching the feature.
Therefore, we hope that all of the above will be completed by early next week. As we have started lessons on our exam now instead of production, we will ensure we spend our own time completing these tasks; for example, we have three frees on Monday and this time would be beneficial for the above. Therefore, next week we will focus heavily on our teaser trailer, aiming to complete it.
Tuesday, 15 February 2011
Thursday, 10 February 2011
In todays lesson...
Possible taglines
- The Game Has Begun
- One Game. No Rules
- When Game Becomes Reality
- There's No Escape from The Board
- No Game. No Pain. (with the 'No's' crossed out)
Upon discussion, we decided upon our first choice, 'The Game Has Begun', and have now included this on our poster to inform the audience further of our plot.
Audience feedback and changes to make on poster
- 'LOOKING AT OUR POSTER, WHAT DO YOU THINK THE FILM IS ABOUT?'
- Politics
- A Ouija Board
- Paranormal
- Psychological
- Horror-based
Therefore, the majority of these results are linked to our intentions. All focus on genres/plot, but 'politics' confused us. However, we asked our researchee why she had answered this, and she got confused over the image of the Ouija Board. However, she read the title aloud, and realised what it then was.
2.
3.
6.
7.
Wednesday, 9 February 2011
Tuesday, 8 February 2011
Our plans...
- We will finish editing and upload our audience research video for our poster tomorrow
- Afterwards we will focus on their comments and make any adjustments to the poster if needed. We then hope our poster will be finished.
- We then hope to conclude our trailer by the end of the week. We have nearly finished this, although we need to upload sounds again, and possibly experiment with one new sound as this may be a finishing touch. We need to edit the colouring of the images, too, as they all vary and do not correlate successfully together. However, we feel the order/title cards/speech on our trailer are currently finished
- Next week we will focus on and complete our magazine. This will include taking the pictures from our initial ideas, uploading them onto a 'magazine cover'. We will hopefully conduct some audience research alongside this. We will take any of their feedback and make any changes if needed.
- By the end of next week we hope to have concluded all of our products. With this, we will make an evaluation either next week, in half term or the week after, summarising our work, their influences, any changes, etc... in reference to our products.
UPDATE!
Monday, 7 February 2011
Audience research questions for our poster
- Looking at the poster, what do you think this film is about?
- Do you think the title font is suitable for the poster? Why?
- Do you like the colouring of the images?
- Do you think the poster needs a tag line to inform us more of the film?
- Do you think the poster needs more colour?
- Do you think the bottom of the poster is too cluttered?
- Do any fonts need changing? If so, what?
Our possible poster
Whilst we are happy with the poster, we feel some audience research would contribute towards our target audience. Therefore, we have started filming people within our demographics - 18-24 - to view the poster, on top of answering questions we feel relevant to our poster. The questions/audience research video will appear in another blog.
Decision
Tuesday, 1 February 2011
Monday, 31 January 2011
Ancillary problems
Friday, 28 January 2011
Update on filming
- We still need to film the 'static' shot that will conclude our trailer. Jess attempted this at home later on after filming, although she had difficulty with this. She did manage to film a static shot, but she noted that the shot looked blurry/tacky and you could see some of her reflection. Therefore, we will aim to re-film this, or simply find an image online of static
- At the weekend we ran out of time to film Sophie reading books on ghosts/paranormal/poltergeists, etc... so we filmed this in school hours on Tuesday. We also filmed a few reaction shots during this time, to add to addition possible shots whilst editing
- We had difficulty filming the 'laptop/webcam' shot. Whilst I could film well enough on the video camera of Sophie on the laptop, Jess' webcam did not record when needed, and then recorded the wrong scenes when mistakenly clicked on. We then ran out of time. However, Jess has noted after re watching the mistaken filming from her laptop that the shot didn't look visually presentable. Therefore, we are going to discuss re-filming this scene, or we may use the video camera to represent the webcam instead.
- We have also not had enough time to re film the stop motion 'arm scene' this week either. This is due to exams, other commitments, and other filming in our lessons. Therefore, on top of our other commitments in media next week, we are hoping to reconsider this shot; whether this being re filming it, using the one we already have, or deleting the shot from our teaser trailer.
Ancillary research
Our main magazine and poster ideas...
- The photo below shows one of our poster selections. The scanner has made it difficult to see, but this illustration shows the two girls either side of the poster, putting their hands on a Ouija board, denoting that they are playing the game. The poster illustrates the two 'actresses' through their names being centre top - between them. The Ouija board is centre focus, however, as it dominates the image and represents the significance of the prop, as well as synergy with the film title.
2. The image below represents our second favourite idea for our film poster. It shows the girls in split screens, as well as highlighting the Ouija board 'surrounding them'. We have featured the title of the film above the two left hand images, as well as the main 'actresses' names on the right. We have also included the stereotypical convention of 'Coming Soon' for a teaser poster.
- Next are our two favourites for the magazine cover. We decided on the title 'FULL SCREEN' as it indicates and implies film theory, as well as the use of 'FULL' showing it represents a mass amount. Therefore, this title has been put about 2/8's of the way down, centre near the top, of the cover, stereotypically found on the magazines we had previously analysed; such as 'EMPIRE' and 'TOTAL FILM'. The core image is of the two girls' hands clasping onto the Ouija board, emphasisng this alongside the title of the film. It also has synergy with the poster idea above. We have also included stereotypical conventions of a magazine cover here, such as sub-titles, images, the price, etc...
2. Here too is an idea for the magazine 'FULL SCREEN'. This is much simpler, but features only the title of the film and an image of the main actress' silhouette in the distance. She is sitting at a chair, simply playing the game. However, the use of her only being black and faded adds a mysterious feel, as well as our ideas focusing on the back cover being neon red. This would contrast with the black silhouette, on top of denoting horror, blood and gore.
Poster Ideas
- The top left image is through synergy with a shot we have filmed of Sophie dribbling 'blood' from her mouth. We have followed the conventions of 'coming soon' on this poster.
- The image in the top right hand left corner shows synergy with our initial magazine cover idea of the high angle shot of the Ouija board, with the two hands placed on it, representing they are about to play. We have simply zoomed out of our original idea, and focused on our two characters too. If this were a real film poster, the use of representing well-known actors may lure in a wider audience; therefore here too. We have enlarged the Ouija board however to show this is the main focus, so in a photo the camera would have to almost be at the boards level; highlighting its dominance.
- The bottom left corner illustration shows the two girls running away, but looking back scared. This is synergy with a shot we have filmed of the two girls running through a tunnel, and looking back to pull/help each other. We have also featured separate images to cover to the top half of the poster. Whilst the actress' would dominate, these images would hint at other references in the film. We got the idea for this poster from a 'Harry Potter' film poster, as shown here:
- The bottom right poster from our ideas is of a close up of the protagonist's eyes with mud around them, showing fear, harm and violence. Whilst researching my ancillary ideas, I got influence from the remake of 'Cape Fear's' poster, which features a extreme close-up of De Niro's menacing eyes. Therefore, in our group we decided on following the use of this close-up in shooting, and the use of mud around the eyes was influence from 'The Descent' (as said in a previous blog). Therefore, synergy with the shot can also be found again with this poster:
More of our ideas are featured here:
- The next poster features information throughout the page, but the use of split screens to highlight different parts of the film. The two outer splits show an image of a Ouija board, but only segments of it so that it can be understand on the cover. The centre images feature the two main characters - as played by Sophie and Jess - with close-up reaction shots of the two girls. We feel this connotes the girls being divided by the power and curse of the Ouija board, as well as split up and apart from one another. We got influence from the use of these separated shots from posters for both 'My Own Private Idaho' and 'The Limey':
Magazine Ideas
We got influence from our preliminary task last year in reference to the top right hand corner magazine poster, which shows a split face. The image for this can be seen below:
However we thought of our third idea ourselves, after discussing the the Ouija board should be at more focus.
Friday, 21 January 2011
Next week...
As well as this, we will edit our new storyboards accurately (make the shots more precise and highlight how quicker we want them) as well as film both the hill scene and arm scene during school time.
We will also make a quick video diary upon how filming goes this weekend. From this, we are hoping we will have finalised our shots and can conclude our trailer with finishing editing touches afterwards.
Plans for this weekend
Currently...
Development
Therefore, I am going to inform of ideas we re-developed; those we scrapped, and those we created. Some of our new shots were from influence from watching various other trailers/films that we acknowledged.
RE-FILM:
- We featured a point of view shot of Sophie running, facing the camera to her feet. However, this seemed quite blurry and too zoomed in, which we didn't realise until the editing process. Therefore, we will re-film this shot with more preparation, in the same place as before (a path in Whetstone) as shown below from an original shot:
- We filmed a long shot of Sophie on a hill. Our idea was to have her run up the hill and leap in the air as she reached the top, so that when we reversed this during editing it would appear that an unknown force had grabbed her and pulled her down the hill without her permission. However, it wasn't very accurate or realistic once we had presented this, so therefore we have scrapped this; although we liked the idea of a hill, as it resembles climbing up and down (the protagonist's journey in the film). Therefore, we are going to film a high angle shot looking down on Sophie, as she aims to clamber up the hill in desperation. This will represent a force looking down on her, as well as showing her inferiority here. We will be using the same field/hill as before, as indicated here:
- We are going to re-film more close up shots of Sophie's face, as 'emotion shots'. We filmed one shot in night vision which we already like, although Sophie has glitter on her face. We are going to film various more to use at least one in our trailer. Here is the original reaction shot:
- We are replacing a shot featuring the protagonist's friend appearing to be dead in an illusion as it looked a bit tacky and unrealistic. Instead, we are going to film a shot featuring the friends talking on the phone. We got inspiration for this from 'The Ring', where the girls talk on the phone in the opening scenes.
- We are going to include more flash shots of the Ouija board, to emphasis the game and the reasoning behind the film:
- We have changed the title card of 'Here comes a curse...' to another one after a few shots concluding '...that will never end'. Instead, we have altered the words to 'From the acclaimed director of [ ]' ... comes a '[ ]' as this is more popular in trailers. We got influence from 'The Texas Chainsaw Massacre' trailer, which notes 'it was a true story', as well as developing upon this and noting 'from acclaimed director...' We noted that being specific in our titles was more appealing:
NEW SHOTS
As well as this, we have decided to film entirely new shots all together. Some of these shots were influenced from other films/trailers, whilst some were ones we invented ourselves. These new shots that we decided upon include:
- A strangle shot (to make the demon appear to physically harm her)
- A long shot following the two girl friends in the film running and appearing to help one another. This will be filmed in a dark tunnel with the girls reaching out for one another and helping each other escape. The use of the handheld/shaky camera will give a eerie effect, as it will connote that the demon 'thing' is following them
- We are going to scrap our original ending of Sophie appearing to be taken over by the 'thing' and have a possessed voice. From this, we are instead going to combine a shot from Jess' webcam with one of our own camera. This will show Sophie's character updating on her webcam of what is going on around her, although the laptop will fall over alongside a bang/noise, which will then turn to black, pause, and then turn to static. We think this will be easier to correlate and produce. Here is a print screen from our original ending:
INFLUENCE
As well as this, we developed upon ideas that have already been used, highlighting intertextuality. We aimed to focus on those films under the horror/thriller/psychological thriller genre, as we feel these are more appropriate for our filming. Although in a previous blog we posted a diary update of what films have influenced us, the following illustrate the one's we prefer and could complete successfully:
- A bath shot, which will feature Sophie distressed in a bath tub. We got influence from this from Daren Aronofsky's film 'Requiem For a Dream', with the female character screaming under the bath water towards the end of the trailer:
- We noted that our trailer seemed to focused upon human characters; in particular the protagonist. Whilst she is the most vital part of the film, upon researching trailers we noted that a wider range of shots are more appealing to sell the film. Therefore, after watching the trailer for 'The Ring' again, we noted a wide use of focusing on landscapes/settings, so therefore took influence from this. We plan to shoot a range of landscape shots. These form of visuals can be seen here:
- We plan to film a shot of the lead girl struggling in pain. We had already planned to show her throwing up blood again, although after watching the trailer for 'The Human Centipede', we thought the girl dribbling other liquids or spit would look effective. We feel that Sophie spitting her own saliva out in a shot would not look amazingly effective on film, so instead we plan to use milk. Here is the trailer for this influence. The girl struggling on the floor and spitting everywhere is towards the end:
- We may use an echo/distant scream in the editing of the music in our trailer. This can be heard from 'The Descent':
- We noted in the trailer for 'The Dunwich Horror' that the use of research/newspaper/the media news/press is ideal, as it alerts the story within the plot, as well as hopefully to the audience watching it. The use of the media being interested in the story is seen in this trailer. However, we like the use of the magazine/newspaper titles and images correlating and dissolving over one another. Therefore, we are going to film the protagonist researching on her eerie events. We will get books based on ghosts/aliens/the paranormal out of the library, and use dissolve effects of the girl flicking through pages on this subject. Here is our influence:
- We have already edited heavy breathing in our trailer alongside the non-diegetic soundtrack. The use of heavy breathing adds tension, as well as a creep effect. We notified the use of this from the trailer for 'The Amityville Horror':
- We have already focused on the concept of filming the girls emotion repeatedly, although we wanted a widespread view of this. Therefore, upon watching the trailer for ' ' we like the use of a extreme close-up of the eyes, with either mud or blood around them. The use of mud varies as we have already featured blood on the face:
- We also like the idea of focusing on a particular vulnerable area. After watching the trailer for 'Let The Right One In', the use of bloody, muddy fingers and hands is visually appealing for our genre and could be easily done:
WE HAVE ALSO DECIDED TO KEEP OUR ORIGINAL OUIJA BOARD SCENES. WE WERE CONSIDERING MAKING PAPER ONES SO WE COULD FOCUS MORE ON THE LETTERING/MEANING OF THE GAME, ALTHOUGH AFTER EDITING WE FEEL THE 'FLASH' SHOT OF OUR ORIGINAL FOOTAGE OF THE BOARD GAME IS IDEAL AND TO OUR PREFERENCE
Photos from Day 2 (28th November)
Thursday, 20 January 2011
Tuesday, 18 January 2011
Monday, 17 January 2011
At the moment...
As a team, we have been stimulating a range of ideas that will be included within our teaser trailer. Having concluded these ideas, we drew up a storyboard and should complete a video alongside our music in tomorrows lesson to visually serve what new ideas we have thought of.
I will then produce a blog on influences/changes we have made from class discussions throughout last week, which will be concluded tomorrow
From this, we are also going to complete a shooting schedule for Saturday's filming session and then begin ideas for our own ancillary products, to which we will hopefully complete in time for the weekends filming/photography session
We then aim to edit and hopefully finalise our teaser trailer, followed by focusing on our ancillary products that will parallel alongside the advertisement.
Friday, 14 January 2011
Ancillary product research
MAGAZINE COVER:
• The magazine headline is positioned at the top centre, likewise to traditional magazine covers. It is bold and striking, alerting the audience to its title
• Unlike the one studied, the price/date is positioned almost within the titles font – therefore combing the advertisement of the magazine itself, on top of the appeal to the audience through its selling point
• The use of the ‘selling line’ is linked to the main image featured for the magazine’s focused article for the particular issue. The use of ‘What’s cooking?’ and the films protagonist ‘Hannibal’ interlinks with the portrayal of the character for the main image. The audience has to use interpretation to understand this selling point, but the deadly sinister eyes of Anthony Hopkins combined with the quote next to his face indicates that this character is making this statement; therefore, adding to questioning, horrific thoughts.
• The top half of the magazine draws more attention, with the striking eyes and magazine title
• Further information about this film is underneath: this is obvious with the use of intertextual red and white colours, linking the pieces of text together. Also, the colour scheme works well with the bold red ‘EMPIRE’ logo
• The barcode is stereotypically situated out of site; at the bottom of the cover in order to divert its lack of information in comparison to what is being featured within the magazine
• The dark colours on the cover indicate a horror, questioning feel, whilst the murky photograph of the individual featured has almost a brown/dirty tinge, combined with a striking red eye; noted for blood, evil, the devil, etc... This releases further information upon this character (i.e. one of horror)
• However, the title of the film is not actually shown on the cover. This adds to a questioning, commercial device; in order for the audience to find out, they must buy the magazine
• The one bold image highlights the feature, although there is one, far more smaller image in the centre top of the cover; actress Minnie Driver, as indicated through the information on the right side. This is in order to add to further feature elements
• Extra cover lines: the cover is not too cluttered, only with information/hints of the main feature e.g. ‘The most shocking scenes ever’; this lures in the audience further. Some further information about what will be included in this issue is then presented in the bottom right hand corner, with film celebrity names to lure in ‘film lovers’ through presenting these well known names. There is probably a hierarchy of ‘well-known’ individuals, with the most known at the top to advertise further information
• The advertisement ‘EVERY NEW FILM REVIEWED’ is the brightest element of the cover. Whilst the majority of the cover features whites, darks and red, this piece is in a contrasting bright yellow. The use of this device with bold, black letters almost screams at the audience. This is in order for a more widespread demographic to purchase the magazine.
POSTER
An intertextual link is instantly recognised between the magazine and the poster; both feature a close-up image of an individual (presumably an character in the film to unknown viewers) However, one is male and one is female. Here is my analysis for the theatrical poster for the film, 'Silence of the Lambs':
Thursday, 13 January 2011
Ancillary Product Conventions
Recognising how stereotypical film posters and magazine covers are presented will contribute towards my research and understanding of the ancillary products, on top of influencing decisions upon how my group will inflict these conventions upon our own products.